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with Michele Lees, friend and movement
therapist
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Barbara Nussbaum
62 11tth Street
Parkhurst, Johannesburg
SOUTH AFRICA 2193
27-11-788-7281 (home office)
27-82-628-1886 ( mobile)
email
www.Barbara-Nussbaum.com
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with Bishop Mvume Dandala, writer and exemplar
of ubuntu wisdom
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What is an underlying question that gives form to your work or interest in this field?
What role can music play in creating the context for
the deepening of collective wisdom?
In what way can concepts derived from African culture
enrich our understanding of how individuals and groups create enabling
conditions for wisdom, compassion and wholeness to emerge in groups?
What is your personal experience of collective
wisdom in groups?
I feel expansion in my heart. I feel moved by the ways
in which the intense purity of a powerful silence; a silence which holds
a shared and deeply felt resonance, ripples out silently, flowing, amplifying
the unspoken bonds of our shared humanity.
I feel the spontaneous delight of enthusiastic energy
when wisdom bursts out in expected surprises in small groups of people
working with the intention to co-create.
What is it about the work in this field that excites
you and connects you to your own deepest self?
My present work lies in harnessing music to deepen intuitive
awareness and collective intelligence in groups. Music is the bridge
which for me, links essence, imagination and expression of the intangible
aspects of our lives. It is through music that I hear the deepest layers
of my soul and in listening to the musical choices of others that I
connect to their souls.
I am deeply moved by a profound belief in our common
humanity which is released when groups heal collectively. A Zulu sage
in South Africa once described the interconnectedness of our common
humanity as ubuntu, “My wealth is your wealth; your pain is my
pain; your salvation is my salvation.”
Ubuntu fascinates me and lies at the core of my exploration
about some of the universal human underpinnings of this invisible bedrock
which is the gold of collective wisdom. The experiences that have evoked
“universal tears” within me, arise when I feel the immense
power of exemplars of isithunzi, (concern for the wellbeing of the larger
group) be it Nelson Mandela’s compassion, or women in the Truth
Commission helping each other to find the wisdom of forgiveness for
policemen who killed their sons.
Please provide a brief storyline or snapshot of
what brought you to this work.
A profound personal experience, recognizing the power
of movement and music to inspire healing, led me to embrace the field
of creative arts therapies in the early 80’s.
For my dance therapy thesis, I studied 40 traditional
African dances in Zimbabwe, and learned about the role of music and
dance in traditional African culture. I learned from a variety of traditional
(indigenous) healers, about the connection between music, consciousness
and group healing.
At the end of the first year of study as a dance therapist,
at the age of thirty, I developed acute arthritis in both knees. I danced
less and less and honed the skills of listening with greater consciousness
and imagination. My body and soul began to hear the music more intensely
and with more subtlety. I learned how to listen to music differently
and how to sense layers and textures of the music with more “inward”
kinesthetic awareness. I then began to develop a methodology for integrating
music and conscious awareness, and slowly started applying the work
to individual and group transformation.
During the nineties, at Wits Business School, I co-authored
a book about African values and the role these played in humanizing
corporate culture in the work place (Lessem, R and Nussbaum, B: Sawubona
Africa, Embracing Four Worlds in South African Management). I learned
even more about African culture, and how the capacity for reconciliation
within groups is such a powerful part of the gift of this culture’s
heritage. I learned and experienced a concept I feel moved to write
about a great deal – ubuntu. Ubuntu is the capacity to express
compassion, justice, reciprocity, dignity, harmony and humanity in the
interests of building, maintaining and strengthening community.
Since 2001, as an adjunct faculty member of the Spiritual
Leadership Institute in Houston, I formalized my work in the art of
reverential listening, to self and other, through the medium of music.
Dr Steve Byrum and Dr Leland Kaiser and Michael Annison, all fellow
faculty members, have been mentors who have given me tools for understanding
and self clarification.
Contact and dialogue, during the last two years, with Sheryl Erickson,
Alan Briskin and Renee Levi have paved a rich pathway to find both a
language and a community for continued articulation of my work.
How would you like to be available to others in
this field?
I have developed a respectful methodology to enable people
to become more intimate with their inner essence through music. Attuning
to the other through music deepens the intimacy and awareness in groups.
I call this reverential listening, which is grounded in a more intuitive,
sensed pathway to knowing and understanding people. People learn to
reach new levels of mutual and shared resonance through a felt non-verbal
connection. I work with music tracks, on CDs chosen by fellow members.
I am very happy to share this methodology and would
be happy to be included in your program at retreats, workshops and teambuilding
events. The music for team building works best in groups of no more
than 10 - 12 people, where there is a time slot of about 2-3 hours.
I am also very open to co-creative work with anyone
who feels there is synergy between our work. I love to talk to people
about ubuntu and isithunzi and to contribute to dialogue and research
on the values and knowledge that indigenous peoples contribute to this
field of collective wisdom.
I delight in thinking with fellow travelers and am open
to conversation with anyone in the field about work which draws you.
If you feel that I would be an insightful listener and thinking partner.
E mail is good, phone calls are even better.
Links to this site or others:
www.Barbara-Nussbaum.com
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